Gregory Uhlmann, Josh Johnson, Sam Wilkes Uhlmann Johnson Wilkes Vinyl LP Indies Grape Colour 2025
Tracklist:
1. Marvis
2. Fumarole
3. Arpy
4. Frica
5. Hoe Down
6. Jicama
7. Unsure
8. Fields
9. Shwa
10. Rewinded
11. The Fool On The Hill
Conceived during two live shows at ETA and a session at Uhlmann's house in Los Angeles, the album maintains a focus on beauty, melody, and rhythm as the pieces unfold, with the trio pushing their instruments and highly-dialed effects to sculpt otherworldly sounds with the collective sensibility o f a rhythm section. The ethos of these instant compositions is arrangement-minded improvisation that showcases the mournful beauty of Uhlmann's fingerpicked electric guitar, the hybrid rhythm-lead of Wilkes' bass chording, and the textural harmonic worldbuilding of Johnson's effect-laden alto saxophone.
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Gregory Uhlmann, Josh Johnson, Sam Wilkes Uhlmann Johnson Wilkes Vinyl LP Indies Grape Colour 2025
Gregory Uhlmann, Josh Johnson, Sam Wilkes Uhlmann Johnson Wilkes Vinyl LP Indies Grape Colour 2025
Tracklist:
1. Marvis
2. Fumarole
3. Arpy
4. Frica
5. Hoe Down
6. Jicama
7. Unsure
8. Fields
9. Shwa
10. Rewinded
11. The Fool On The Hill
Conceived during two live shows at ETA and a session at Uhlmann's house in Los Angeles, the album maintains a focus on beauty, melody, and rhythm as the pieces unfold, with the trio pushing their instruments and highly-dialed effects to sculpt otherworldly sounds with the collective sensibility o f a rhythm section. The ethos of these instant compositions is arrangement-minded improvisation that showcases the mournful beauty of Uhlmann's fingerpicked electric guitar, the hybrid rhythm-lead of Wilkes' bass chording, and the textural harmonic worldbuilding of Johnson's effect-laden alto saxophone.
Product Information
Product Information
Shipping & Returns
Shipping & Returns
Description
Tracklist:
1. Marvis
2. Fumarole
3. Arpy
4. Frica
5. Hoe Down
6. Jicama
7. Unsure
8. Fields
9. Shwa
10. Rewinded
11. The Fool On The Hill
Conceived during two live shows at ETA and a session at Uhlmann's house in Los Angeles, the album maintains a focus on beauty, melody, and rhythm as the pieces unfold, with the trio pushing their instruments and highly-dialed effects to sculpt otherworldly sounds with the collective sensibility o f a rhythm section. The ethos of these instant compositions is arrangement-minded improvisation that showcases the mournful beauty of Uhlmann's fingerpicked electric guitar, the hybrid rhythm-lead of Wilkes' bass chording, and the textural harmonic worldbuilding of Johnson's effect-laden alto saxophone.
